Villunny river which is near
Keremangalam of Pudukkottai District has hidden treasures of ancient
civilization. There is a vast area called
Ambaalathaan Medu in the banks of the river. A press reporter named Bagadsing
had found some pottery remains and informed Pudukkottai Archeological Research
Foundation. The foundation had a site visit and
discovered key evidences of a river bank civilization which existed even
before mankind invented writing script.
The team led by the founder
Manganoor Manikandan, and Melappanaiyur Rajendren and they members Kasthuri
Rengan, Head master Veera Chandrasekaran, Ilayaraja, Siddha Physician___
surveyed the vast area for evidences.
Founder Manganur Manikandan expressed
that
Ramasamypuram, Mangalanadu-
Ambalathidal
The site is spread across 173 acres
and located in the banks of Villuni River, in the boundaries of Ramasamypuram
and Mangalanadu. Trees which belong to desert area are grown here.
Asparagus, Vanni Tree, Cactus, Aloe Vera
are dense in this area. Dunes which have Calcium particles can be located here. Some
of the Dunes have evidences for buried thazlis.
The land is filled with black and red pottery pieces , along with burnt
out metal, mud casting for metal shapes, crystal stones.
Vilvanni River
This river originates at Maramadakki
River, and merges with Ambuli River, at
Ruthrachinthamani. It reaches Bay of Bengal at its 37th km.
The village near the estuary
is called Villunivayal, the name suggests a clue that in the ancient
past the river might have been called as Villuni River.
Tamil Sanga Literature mentions this
river as Vilvanni, and we can assume that this name has been eroded into to
Villuni. To prove this theory the river bank is dense with Vanni Trees. Pathittruppathu and Natrinai Clearly states
the relationship between Vanni Tree and Thazhi.
These literature shows that it
was common practice to bury thazhis under
the Vanni Tree.
Vanni Tree and matriarchal society
The Vanni tree is mentioned in the
Rig Veda, the Ramayana and the Mahabharath.
Even today Vijayadasami Special pooja
is conducted to Vanni Tree in Calcutta and in some other parts of North India.
On the same day most of the temples
of Tamil Nadu have “Parivettai” fest.
In this fest the priest stand under
the Vanni Tree and shoot an arrow from his bow. This practices has ancient
roots for it has been mentioned in Sanga Literature. These evidences proves that
our ancient Indian societies has
matriarchal roots.
Origin of Written Script
The Divagara Nigandu states the
evolutionary development of written language. It developed in various stages as
pictograph, logo graph, syllabary and finaly phonetic.
What do the graffiti at the pottery
denote.
These graffiti uniformly denotes a
thing, they describe the three worlds, and these worlds merges at a point. This
merger symbolizes that their soul travels towards universal power source. The ladder like marking is wide at the base
and grow narrow and merges at the top. This shows that these people believed
that their soul travels to higher worlds.
The graffiti found here on pots are
of two types, one is phonetic and the other is a pictograph.
The pictograph looks like a upside
down trident. The Greek archaeological experts opine that these symbols depicts
the burial site of a warrior.
But Indian Archeological experts say
that this is a simple mark of pot makers. These kind of marks are found in Sri
Lanka, Greece, and other ancient archeological sites of India. In this light
the symbols and pictograph must be the universal language of the ancient times.
These markings are not an expression
of pot makers. We need the approach them from the origin of written script and
scientific research. The marks may also
depict the five basic elements of life.
Time of the graffiti marks
Undoubtedly these graffiti must be used in those times when markings were only used for communication, i.e., before the times of the written script.
The bones found at the site can be
used for dating test., and the foundation is taking proper steps to find the
actual time of the civilization.
(Thermo luminescence dating)
The archaeological sites of Tamil
Nadu, Karur, Uraiyur, Alagankulam, Vallam, Kodumanal, has pots with graffiti
markings. The lower pot has Tamizhi Writing and the upper part has Graffiti
marking.
This is also an evidence that these
markings are primitive forms of written script.
Similar graffiti is found in Sembian
Kandiyur, Tanjore Dt. This clearly shows that
these symbols are not just a mark of a pot maker, but they are actually
communication symbol used in the ancient past .
Other archeological finds at the
Ambalath Thidal
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